Reviews

This section contains a selection of my lectures, conference papers, and talks reflecting my research in historical musicology. My work explores a range of topics, including early plucked string instruments, performance practices, and the broader cultural contexts of historical music traditions. Over the years, I have presented at various academic conferences and institutions, contributing to discussions on historical performance, music theory, and the interpretation of early music sources.

In The Consort (1997): Book Review of Luis Milan, Studies in Sixteenth-Century Performance Practice by Luis Gásser (Indiana University Press)

In The Consort (1996): Book Review of The Hurdy-Gurdy in Eighteenth-Century France, by Robert Green (Indiana University Press)

Lustig, Monika (ed.) Gitarre und Zister-Bauweise, Spieltechnik und Geschichte bis 1800: Bericht des 22 Musikinstrumentenbau-Symposiums 2001, in Music and Letters Review of Books, vol.88 no.3 Aug 2007, pp. 549-507.

‘Musical Instrument Collection in the Horniman Museum’ NEMA Yearbook 2006, pp. 30-35

In Music and Letters (2004), 352-3: Reviews of editions of Terzi and Galileo

In The Galpin Society Journal (April 1999), 329-332:

Book Review of Performance on Lute, Guitar and Vihuela ed. Victor Anand Coelho (CUP)

In Early Music (1995), 330: CD Reviews of Spanish renaissance music: Musica en Tiempos de Velazques; Canto del Cavallero; La Guitarra Espanola; Amando e Desiando/Spanish and Italian music from the 16th century; Francesco Canova da Milano.